Image: [https://drive.google.com/file/d/1iROlNUw3Rd91jXGI\_kTjf1h-wmURq9dT/view?usp=sharing](https://drive.google.com/file/d/1iROlNUw3Rd91jXGI_kTjf1h-wmURq9dT/view?usp=sharing)
Sheet: [https://drive.google.com/file/d/1e-P3yAkEPuzqefGDz9pTqCXqAE2Vmkbi/view?usp=sharing](https://drive.google.com/file/d/1e-P3yAkEPuzqefGDz9pTqCXqAE2Vmkbi/view?usp=sharing)
My idea was to show the most used counters and their irregularities.
Suggestions or corrections are welcome.
17 comments
Thank you!
My hero!
This is great, thanks a lot!
Very useful! Thanks a lot!
🍤🍤🍤🍤
This is awesome, thank you!
ありがとううううう
Hallelujah and all that jazz, dude!
ods? interesting format choice
wonderful, thanks
お疲れ様でした。
Careful, he’s a hero.
First I thought that what nonsense this is and then I understood. Excellent work 👍
It makes the counter intuitive.
Can anyone explain or signpost me to an explanation for そくおん、だくおん and はんだく?
This isn’t something we ever covered in class and I’m not sure how to look into it.
Awesome!
Maybe month durations? 一ヶ月・いっかげつ etc., just because they work differently from all the others, for which you just add かん・間.
You might like the counter page in the appendix of the [Oral Communication](https://dspace.lib.hawaii.edu/bitstream/10790/3422/2/MUSUBI_Japanese_Oral_Communication.pdf) section of the
[first volume of Musubi ](https://dspace.lib.hawaii.edu/handle/10790/3422)
It also has the sound changes highlighted and also notes what sounds cause the rendaku or sound change.